
Photo: Jpatokal · CC BY-SA 4.0
Khai Phaen (Fried Mekong River Weed Sheets)
A Lao drinking snack: freshwater algae lifted from the Mekong, spread thin with seasonings, dried into sheets and fried for a few seconds. A sheet holds together the way paper does: wet fibres laid out thin bond to each other as the water leaves. No paste or starch goes in; the drying is the gluing.
Ingredients
- The dried sheets (4-6)
- khai · filamentous freshwater algae from the Mekong; see the tips400 g
- green laver · if khai is not available; it has to be a filamentous green alga400 g
- garlic · sliced very thin4 cloves
- tomato · deseeded and sliced thin1
- sesame seeds4 tbsp
- ginger or galangal · shredded fine10 g
- salt1 tsp
- To fry and serve
- oil for frying · something neutral500 ml
- jaew bong · Lao chilli paste; gochujang loosened with lime juice will do4 tbsp
Steps
- ⏲ 20 min
Put the algae in a big bowl and rinse it several times, changing the water each time. Getting the sand and grit out is most of the work in this dish, and whatever grit is left stays in the sheet for good.
- ⏲ 5 min
Shake it out without wringing it and chop it coarsely. Very long filaments bunch up as you spread them and the thickness comes out uneven.
- ⏲ 5 min
Mix in the garlic, tomato, sesame, ginger and salt with your hands. The seasoning goes in now — not sprinkled onto a dry sheet but embedded in it, which is what makes this khai phaen rather than nori.
- ⏲ 15 min
Spread it on a bamboo frame or fine mesh, thin and even, about 2mm. Pushing it to an even thickness with your fingers is the only real skill here: thick patches stay leathery and thin ones tear.
Dry it in the sun for a day or two. It is ready when a sheet snaps as you pick it up. If it folds instead, there is still water in it.
- ⏲ 5 sec
Heat the oil to 180°C and put the sheets in one at a time. Three to five seconds and they puff and darken. Left longer they burn almost instantly.
- ⏲ 2 min
Drain on kitchen paper and serve with jaew bong. They take up moisture from the air as they cool, so they are eaten where they are fried.
Variations
- Undried khai: it also goes straight into soups and salads. Making it into sheets is a way of keeping it as much as a way of eating it.
- Its relation to nori: it is a river cousin of gim, the laver in gimbap. Same principle, and the split is salt water against fresh.
More detail and the reasons why (2)
- Without khai: Mekong khai cannot be bought outside Laos. Any filamentous green alga works on the same principle, and green laver is the closest substitute. Sea lettuce will do, and so will nori soaked and blitzed back to a pulp. What matters is that it is filamentous rather than leafy, because it is the tangling of filaments that makes the sheet.
- Seasonings: garlic and sesame are the constant; tomato, galangal, lemongrass and spring onion all turn up. In Luang Prabang it is served with jaew bong, the chilli paste made with water buffalo skin.
Tips
- The grit is everything. Algae lifted out of a river always carries sand, and skimping on the rinses is something you discover with your teeth. Five changes of water is a minimum.
- Keeping it: undried sheets keep for months in an airtight box. Fried, they are for that day (serving temperature).
More detail and the reasons why (5)
- How a sheet becomes a sheet. Dishes that call for nori usually buy it — gimbap, onigiri, spam musubi among them. The answer is papermaking. Lay wet fibres out thin and, as the water leaves, their surfaces come together and bond to each other. No paste and no starch are added: the drying is the gluing. Which is why there is no skill in this beyond spreading it evenly.
- The seasoning is inside the sheet. Nori is brushed with oil and salt after it is dried. Khai phaen is mixed while wet, so the sesame and garlic become part of the sheet and do not come off in the oil. In the photograph the seeds are embedded rather than sitting on top, and that is why.
- It is the opposite of bugak. Bugak paints a cooked glutinous rice paste onto kelp and dries that. As that page says, kelp put straight into oil "curls and burns", and what fries is the film rather than the kelp. Khai phaen has no paste at all: it is a thin fibre sheet rather than a thick frond, so it puffs and crisps by itself in seconds.
- Three to five seconds. There is almost no water in a dried sheet, so what little is left leaves the moment it hits the oil. The timings in deep frying do not apply here; one sheet at a time and straight back out is the only way to do it.
- Put it beside laap and nam khao and you can see how Lao cooking makes something crisp. Laap toasts raw grains to a powder, nam khao packs cooked rice into balls and fries and crushes them, and khai phaen dries river weed into sheets. All three manufacture the crisp separately and add it at the end.
The basics behind this dish
- Building Umami: Glutamate, Synergy, and LayersUmami is built in layers, not added from one bottle. The key is synergy: glutamate plus nucleotides multiply each other rather than adding up.
- Deep Frying: Temperature, Batter, and the Second FryFrying is not cooking in oil so much as trading the food's water for it. Two temperatures, what each kind of coating is for, and why the second fry exists.
- Heat Control: Preheating, Oil, and Reading the PanThe same ingredients become a different dish depending on pan temperature. When to add the oil, how to read heat by sound, and which dishes want low heat instead.
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